"The astonishing domes of Europe’s churches, built and decorated over decades of inspired meticulous work by incomparable architects and artists like Filippo Brunelleschi and Michelangelo, were all financed with sound money by patrons with very low time preference. The only way to impress these patrons was to build artwork that would last long enough to immortalize their names as the owners of great collections and patrons of great artists. This is why Florence’s Medicis are perhaps better remembered for their patronage of the arts than for their innovations in banking and finance, though the latter may be far more consequential. Similarly, the musical works of Bach, Mozart, Beethoven, and the composers of the Renaissance, Classical, and Romantic eras put to shame today’s animalistic noises recorded in batches of a few minutes, churned out by the ton by studios profiting from selling to man the titillation of his basest instincts. Whereas the music of the golden era spoke to man’s soul and awakened him to think of higher callings than the mundane grind of daily life, today’s musical noises speak to man’s most base animalistic instincts, distracting him from the realities of life by inviting him to indulge in immediate sensory pleasures with no concern for long-term consequences or anything more profound. It was hard money that financed Bach’s Brandenburg Concertos while easy money financed Miley Cyrus’s twerks. In times of sound money and low time preference, artists worked on perfecting their craft so they could produce valuable works in the long run."
